![]() Means the goods that we offer for sale at our auctions ![]() Means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer Means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source (b) which is described in the catalogue as being the work of a particular creator without qualification and (c) which at the date of the auction had a value materially less than it would have had if it had been as described Means the person who makes the highest bid for a Lot accepted by the Auctioneer Means a person participating in bidding at the auction Means Chorley’s, a partnership or company registered in England and Wales with registration number with registration number 5857433 and whose registered office is located Staverton Court, Staverton, Cheltenham GL51 0UX or its authorised auctioneer, as appropriate Please note that these Terms of Sale relate to auctions held at our premises only.ġ.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please read these Terms of Sale carefully. The Terms of Consignment and Terms of Sale are available at our saleroom on request. You can learn about their projects and their Game of Thrones recaps by following on Twitter.Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). A man and a woman among burning stones, fourth quarter of 13th century (after 1277), by an unknown artist.įind me on the Twitters With very special thanks to co-conspirators Bryan Keene and Sarah Waldorf, who sourced the images and contributed captions. Pope Urban VI and the Anti-Pope Clement VII, about 1480 - 1483, by Master of the Getty Froissart (Flemish). The casting of the Golden Calf the dance around the Golden Calf, about 1400 - 1410, by an unknown artist. Alexander Fights in the Town of the Sudracae, about 1470 - 1475, by Master of the Jardin de vertueuse consolation and assistant Flemish. Bible Historiale, 2 vols., about 1360 - 1370, by Master of Jean de Mandeville, Guyart des Moulins, Peter Comestor, and Guyart des Moulins French. A Man and a Modishly Costumed Woman in Conversation, about 1405, by an unknown artist. Saint John the Evangelist writing, about 1340 - 1350, by an unknown artist. Rain Extinguishing the Flames at the Stake to Which King Kroesus is Bound, about 1405, by an unknown artist. The Battle between Rome and Carthage, about 1475, by an unknown artist. ![]() Leone Otasso and his wife presenting their sick son to saints Aimo and Vermondo a crowd of lay worshippers giving thanks, about 1400, attributed to Anovelo da Imbonate Italian. The Lamentation, about 1405 - 1410, by Masters of Dirc van Delf Dutch. A depiction of a portable altarpiece with a weeping Madonna, about 1480 - 1490, by Georges Trubert French. A scytier drinking the blood of a slain enemy, c. Image credits, from top to bottom (click through for their original contexts): IN THE END: Jay Z and Abramovic, lightly singed from the public attention, remain quiet. Herewith, our Marina Abramovic/Jay Z recap, as told using medieval illuminations: But as far as fantastical narratives go, nothing beats the Great Saga of Marina and Jay - the perfect narrative for putting all those vintage images of diplomatic tension and feverish battles to good use. Sure, the lands of Essos and Westeros offer plenty of melodrama. They are the brain trust behind the museum's totally awesome "Game of Thrones" recaps, which employ medieval illuminations to summarize the HBO drama's twists and turns. So to help sort through this art-and-celebrity madness, I've teamed up with the Getty Museum's assistant curator of manuscripts, Bryan Keene, as well as Getty media producer Sarah Waldorf. Sensational stuff - except for the fact that Hova had made a donation, and had a receipt number to prove it. ![]() In an interview published early this week in the European art magazine Spike, Abramovic said that she felt "used" after appearing in his 2013 video "Picasso Baby" because he hadn't made a donation to her namesake institute as promised. This week, the art world has been riveted by performance artist Marina Abramovic's very high-profile trash-talking of rapper Jay Z.
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